Wednesday, April 23, 2014

Christian G.E. Schiller's Review of the Book: Ralf Frenzel (ed.) - Riesling, Robert Weil. Tre Torri, Wiesbaden, Germany, 2013, in: Journal of Wine Economics, Volume 9, 2014, No. 1, Cambridge University Press

Picture: Riesling, Robert Weil. Tre Torri, Wiesbaden, Germany, 2013

The American Association of Wine Economists (AAWE) just released a new issue of the  Journal of Wine Economics (JWE).
 (Vol 9, No 1). The lead paper of this issue is Giulia Meloni and Johan Swinnen’s analysis  “The Rise and Fall of the World’s Largest Wine Exporter  — And Its 
Institutional Legacy.

The JWE, published by Cambridge University Press, is available in more than 2,300 libraries worldwide.

The new issue also includes Christian G.E. Schiller's review of the book: RALF FRENZEL (ed.): Riesling, Robert Weil. Tre Torri, Wiesbaden, Germany, 2013.

Below is the table of contents of the Journal of Wine Economics, Volume 9, 2014, No. 1 and Christian G.E. Schiller's book review.

Journal of Wine Economics
  Volume 9 | 2014 | No. 1

Editorial: Introduction to the Issue  FULL TEXT PDF | Page 1-2 

ARTICLES

The Rise and Fall of the World's Largest Wine Exporter - and its Institutional Legacy
Giulia Meloni and Johan Swinnen
ABSTRACT | FULL TEXT PDF | Pages 3-33 

A Barrel of Oil or a Bottle of Wine: How Do Global Growth 
Dynamics Affect Commodity Prices? 
Serhan Cevik & Tahsin Saadi Sedik
ABSTRACT | Pages 34-50

The Changing Size Distribution of California’s North Coast Wineries 
Don Cyr, Joseph Kushner & Tomson Ogwang
ABSTRACT | Pages 51-61

Criteria for Accrediting Expert Wine Judges 
Robert Hodgson & Jing Cao 
ABSTRACT | Pages 62-74

The Determinants of Chemical Input Use in Agriculture: A Dynamic
Analysis of the Wine Grape–Growing Sector in France 
Magali Aubert & Geoffroy Enjolras 
ABSTRACT | Pages 75-99

BOOK AND FILM REVIEWS

Film Review

DAVID KENNARD (DIRECTOR)
A Year in Burgundy 
Reviewer:  Robert N. Stavins 
FULL TEXT PDF | Page 100-103

Book Review
 
RALF FRENZELRiesling, Robert Weil
Reviewer:  Christian G.E. Schiller 
FULL TEXT PDF | Page 103-107

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RALF FRENZEL (ed.): Riesling, Robert Weil. Tre Torri, Wiesbaden, Germany, 2013, 255 pp., ISBN 978-3-941641-94-5 (English), E49.90.

This is a heavy book: it weighs almost 2 kilograms and unites two heavyweights - Riesling, arguably the best white grape variety in the world, and Weingut Robert Weil, one of the best Riesling producers in the world. The first in a new series of books from Tre Torri, covering the most outstanding wine estates of the world, it covers the complex topic of Riesling through the example of the top German wine producer Weingut Robert Weil. Readers should not expect to be informed about the Riesling grape variety in general, as perhaps the main title, Riesling, suggests.

More than half of the 255 pages are mostly wonderful pictures, and some text pages also include pictures. It is not only a book with a most interesting text but also one with great pictures of wine.

Weingut Robert Weil is managed by Wilhelm Weil, who owns the winery jointly with Suntory, the Japanese beverage group. With 75 hectares - exclusively Riesling - under vine, it is one of the largest estates in Germany. The estate’s dedication to Riesling has led numerous observers of the international wine world to regard Weingut Robert Weil as a worldwide symbol of German Riesling culture. A Riesling wine of the 1893 vintage, grown on the Gräfenberg site, made the estate famous. The imperial Habsburg court in Vienna purchased 800 bottles of this wine in 1900 at 16 gold marks per bottle. Weingut Robert Weil’s top botrytized wines are sold today at very high prices—they are among the most expensive in the world. Although best known for its Noble-Sweet Rieslings, Weingut Weil produces mainly fully fermented, dry wines, including ultrapremium Grosses Gewächs (Grand Cru) wines.

Five authors contributed to the book, which is divided into six chapters.

Written by Editor Ralf Frenzel, Chapter 1 is the prologue, offering a portrait of Wilhelm Weil. It paints him as a winemaker who has done a lot not only for his own estate but also for the region, the famous Rheingau, and for Germany.

Chapter 2 is a very detailed and well-researched account of the history ofWeingut Weil by Daniel Deckers, against the background of the Rheingau region and German wine history. Deckers discovered the world’s oldest classification map, which was prepared in 1868 by Friedrich Wilhelm von Dünkelberg and classified for the first time the vineyards of the Rheingau. Deckers describes the founding of the winery in Kiedrich by Dr. Robert Weil, who had lived and taught at the Sorbonne in Paris but was forced to leave France and return to Germany because of the Franco-Prussian War (1870–1871). He joined his brother August in Kiedrich and bought the first vineyards in 1870. In 1879, he moved into the former estate of Sir John Sutton, baronet, which remains the home of Weingut Weil . The first auction of his wines at Burg Crass in 1881 was a failure, but when the German emperor began buying the 1893 Weingut Weil Auslese, the Weil wines gained renown.

In 1988, the estate was sold to Suntory, and Wilhelm Weil was appointed managing director, retaining a minority ownership share.

Chapter 3, by Dieter Bartetzko, deals with the architectural ensemble of the Weil property. Sir John Sutton bought a tiny, dilapidated winegrower’s cottage in 1869 and transformed it into a small country estate in the Tudor style, which does not have to fear comparison with the original Tudor manors in Sutton’s home country of England. Thereafter, over the years, a number of new structures have been added, including the Vinothek (wine store) built with generous glass paneling that faces the courtyard, in the 1990s, and the new extension finished only recently. But the Tudor-style house built by Sutton remains the heart of the estate. The historical manor house, the ultramodern cellars and the Vinothek stand side by side in a beautiful park, reflecting the same synthesis of old and new that is in the estate’s winemaking philosophy.

Chapter 4 ostensibly comprises an interview with Wilhelm Weil, centering on the question: “What makes a great Riesling?” It is not, in fact, an interview but a lecture by Weil, transcribed by Christian Goeldenboog. There are no questions, at least no explicit ones. And it is not about Riesling in general; it is about the Riesling wines produced by Weingut Weil in the Rheingau region in Germany. Wilhelm Weil is one of the vice-presidents of the Vereinigung deutscher Praedikatsweingueter (VDP), the association of about 200 elite wine producers in Germany, and the chapter also reflects the thinking of the VDP. Importantly, the VDP is in the process of radically changing the way in which German wine is classified by moving to a classification system that resembles the classification system of the Bourgogne in France, which is terroir driven.

Chapter 5, by Goeldenboog, deals with the work in the vineyard and in the cellar and is divided into four subchapters. The first subchapter, “Riesling Has Style,” reads a bit like a continuation of Chapter 3 and has Wilhelm Weil talking about his winemaking approach and wines.

The following subchapter, “Rock, Soil, the Rheingau and the Ecosystem,” reviews the terroir of the Rheingau in general and that of the three vineyards, where Weingut Weil owns land and grows its wines—in particular, Kiedricher Klosterberg, Kiedricher Gräfenberg, and Kiedricher Turmberg.

Weingut Weil’s vineyards all belong to the group of the high-lying sites of the Rheingau: Inclination (up to 60%), exposure (southwest), and the ability of the barren stony soils to absorb heat are the factors that make for three perfect Riesling sites. These conditions, as well as ideal circulation, enable the grapes to stay on the vine for a long time, ripening well into November.

Kiedricher Gräfenberg: The soil consists of deep and medium-deep stony, fragmented phyllite partially mixed with loess and loam. At the end of the twelfth century, the site was first documented as mons rhingravii (lit., the hill of the Rhine counts), and, in 1258, it was named “Grevenberg.” To this day, Gräfenberg is a focal point. The record prices it fetches at auction bear witness to the site’s renown.

Kiedricher Klosterberg: The name Klosterberg (lit., monastery hill) derives from “Closterweg,” the old path that ran through this vineyard in Kiedrich en route between the monastery Kloster Eberbach and its mill near Eltville. The shallow to deep stony-gritty soils of the southwesterly facing site are of Devonian (colored slate) and pre-Devonian (phyllite and sericite gneiss) origin and are mixed with gravelly loess.

Kiedricher Turmberg: After the founding of Weingut Robert Weil, the Turmberg site was always considered one of the estate’s top sites, second only to Gräfenberg. The name Turmberg (lit., tower hill) derives from the surviving central tower of the former castle Burg Scharfenstein, which stands on that site. The archbishops of Mainz had the castle built on the steep crag northeast of Kiedrich in 1160. Turmberg lies on the slopes of a steep, slaty crag. Its stony-gritty soils consist primarily of phyllite mixed with small portions of loess and loam. After passage of the wine law of 1971 and its amendment of the vineyard register, numerous traditional vineyards, like Turmberg, were incorporated into other vineyards. In 2005, the Turmberg parcel was reinstated as an individual vineyard site, measuring 3.8 ha (9.4 acres). It is owned solely by Weingut Robert Weil.

The third subchapter, “Fruit—Maturity,” talks about the 12-month vineyard cycle and dwells in particular on the issue of the optimal moment to harvest the Riesling grapes (in a northern wine region). Of course, at Weingut Weil special attention is paid to work in the vineyard. Another quality factor is the low yield, achieved by restrictive pruning, thinning out the grapes twice, carrying out a negative selection at an early stage, and a selective hand-picking process. At Weingut Weil, the harvest can be spread over a period of 8 to 10 weeks. Each row of vines can be picked over up to 17 times. When botrytised grapes are picked, they are selected in the vineyard and immediately sorted into three different containers, depending on the degree of botrytis. The grapes are again selected berry for berry in the cellar.

The last subchapter reviews in detail the process of alcoholic fermentation, focused more on historical aspects and less on how it is done at Weingut Weil. At Weingut Weil, vinification takes place in stainless steel tanks of varying sizes (depending on the size of an individual lot) and in traditional mature oak casks (“Rheingauer Stückfass”: 1,200 liters).

Chapter 6 contains tasting notes by Caro Maurer, Master of Wine, of about 40 wines of Weingut Robert Weil, all from the Kiedricher Gräfenberg, mostly from the 1990 to 2011 vintages, ranging from ultrapremium dry Erstes Gewächs wines to luscious Noble-Sweet Trockenbeerenauslese wines.

To sum up: this is a great book about Riesling. It is not a general introduction. The book tells the story of the Riesling grape through the perspective of one of the world’s top Riesling wine producers, Weingut Robert Weil from Kiedrich in Germany. It does this with many wonderful pictures from Weingut Robert Weil and the Rheingau region, and with a number of most interesting text contributions by various German Riesling experts.

Christian G.E. Schiller
International Monetary Fund (ret.) and emeritus professor, University of Mainz, Germany
Cschiller@schiller-wine.com
doi:10.1017/jwe.2014.6

2 comments:

  1. Dear Christian,
    having met you today at Schlossgut Diel I instantly decided to visit your blog to get the picture. Facetiously, what is the difference between Sam Hofmeister and Marcus Hofschuster? ....ahem, none! Sam won't thank you for this blip, but the only drink I associate Hofmeister with, is a nasty, industrially manufactured lager marketed in the UK as German quality beer some decades ago. For the benefit of US residents, it tasted a bit like the infamous Czech Doppelgänger called...wiser not to mention the brand! The Hofmeister bear became a bit of an icon, but to be honest, he didn't look anything like Sam.

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